The stoles, traditionally worn draped over academic gowns, have evolved into a quiet yet profound language of self-expression, particularly among students seeking to honour family legacies, religious beliefs, cultural roots, and individual journeys through higher education.
A new visual feature emerging from the 58th Special Congregation of the Kwame Nkrumah University of Science and Technology (ºÚÁÏÍø¹ÙÍø) is drawing attention for its powerful portrayal of how graduating students express identity, heritage, and hope through fashion.
Titled Stoles and Sentiments, the feature captures detailed images of graduation stoles, many of which bear intricate Adinkra symbols, embroidered scripture verses, faculty colours, andÌýmessages of personal meaning.
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Story: Emmanuel Kwasi Debrah (URO) | Photos: Vincent Gross Hope (URO) ÌýÌýÌý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý | |
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